Sarah Cornish

Faculty

Professor & Chair

Location ÍøÆØ³Ô¹Ï Campus Box 109 Greeley, CO 80639
Address Ross 1120B and Ross 1284A
Office Hours Tuesday 1-3pm in 1120B; Wednesday 2-3pm in 1284a and by appt.
Sarah Cornish

Biography

Sarah E. Cornish, PhD,Ìý¾±²õÌýProfessor of English and Department Chair at the ÍøÆØ³Ô¹Ï, Director of the Feminist inter/Modernist Association, and Co-Editor ofÌý³Ù³ó±ðÌýTheÌýSpace Between: Literature and Culture, 1914-1945,Ìýan open access, peer-reviewed journal.ÌýHer research is onÌýthe interwar and WWII periods with a specific focus onÌýwomen writers, their cultural contributions,Ìýtransatlantic entanglements,Ìýand political interventions.ÌýShe teaches graduate and undergraduate courses inÌýearly to mid-twentieth century literature and culture.ÌýÌýÌýÌý

Education

PhDÌýin English Literature (Modernist Studies), Fordham University, 2013.Ìý

MAÌýin English Literature and Irish Studies, Boston College, 2003.Ìý

BAÌýin English Literature, University of California – Irvine, 2000.Ìý

Professional Experience & Affiliations

English Department Chair, Department. (SpringÌý2024 – Present).Ìý

Professor, ÍøÆØ³Ô¹Ï. (2024 – Present).Ìý

Associate Professor, ÍøÆØ³Ô¹Ï. (2018Ìý–Ìý2024).Ìý

Assistant Professor, ÍøÆØ³Ô¹Ï. (2013Ìý–Ìý2018).Ìý

 

Select Professional ServiceÌý

Vice Program Chair, Modernist Studies Association (MSA). (October 2025 – Present).Ìý

Editor, Journal Editor,ÌýThe Space Between: Literature and Culture, 1914-1945. (July 1, 2025 – Present).Ìý

Editorial Review Board Member,ÌýFeminist Modernist Studies. (August 2023 – Present).Ìý

Director, Feminist inter/Modernist Association. (2015 – Present).Ìý

Professional MembershipsÌý

Council of Editors of Learned JournalsÌý(CELJ)Ìý

FeministÌýinter/Modernist AssociationÌý(FiMA), Co-founderÌýand Executive DirectorÌý

The Space Between SocietyÌý

Modernist Studies AssociationÌý(MSA)Ìý

Modern Language AssociationÌý(MLA)Ìý

Research Expertise & Interests

British and American (transatlantic) modernism; women writers; “the middlebrow�; literary and social culture of the interwar period; urban and space/place theory; architecture and the built environment; feminist theory; phenomenology of the city; women in the city; visual culture and spectacle; film history and theory (in particular French New Wave, British Cinema, and Pre-Code Hollywood); the digital turn (practices in Digital Humanities, multimodality, remediation).

Publications

ÍøÆØ³Ô¹Ï

Cornish, S. & Dinsman, M. (Eds.) (2025). The Space Between: Literature and Culture, 1914-1945 | General Issue: Vol. 21. The Space Between: Literature and Culture, 1914-1945.  

Cornish, S. (2024). “New World Women and the Labour Party Win in Marghanita Laski’s The Village (1952)”. In Melissa Dinsman Megan Faragher & R. Richardson (Eds.), Mid-Centruy Women’s Writing: Disrupting the Public/Private Divide. University of Manchester Press. 

Cornish, S. & Hollis, C., Fox, M., Konchar Farr, C. (Eds.) (2023). Feminist Publishing Against the Pandemic (Special Issue). Feminist Modernist Studies: Vol. 6 (pp. 1–77). Feminist Modernist Studies.  

Cornish, S. (2023). “Notoriously an inarticulate nation”: Feeling World War II through Mollie Panter-Downes’s London Letters. The Space Between: Literature and Culture, 1914-1945, Vol. 18 (2022).  

Cornish, S. (2021). ’Playing Stupid’: Teaching the Self-Taught Woman through Anita Loos, Irmgard Keun, and Stevie Smith. In J. Utell (Ed.), Teaching Modernist Women’s Writing in English (pp. 137–147). Modern Language Association Press. 

Cornish, S. & Pogorelskin, A. (Eds.) (2021). International Cinema in the Space Between: The Long Decade of the 1930s (Special Issue): Vol. 16. The Space Between: Literature and Culture, 1914-1945.  

Cornish, S. (2020). “‘A World of Tomorrow’: Trauma, Urbicide, and Documentation in A Woman in Berlin: Eight Weeks in the Conquered City.” Twentieth Century Literature Vol. 66 (2), pp. 185–206.  

Cornish, S. (2017). “Fashion is Spinach, but Style is Politics: Elizabeth Hawes’s Pioneering Feminism.” Feminist Modernist Studies Vol. 1, pp. 74–95.  

Cornish, S. (2016). ‘Quota Quickies Threaten Audience Intelligence Levels!’: The power of the screen in Betty Miller’s Farewell Leicester Square. In W. Chapman (Ed.), Virginia Woolf and Her Female Contemporaries. Clemson UP. 

Cornish, S. (2015). “Imagined ’ineffable space’: Woolf’s architectural release in America, Which I Have Never Seen.” Virginia Woolf Miscellany, Vol. 87, pp. 26–28. 

Cornish, S., & Evans, E. (Eds.) (2010). Woolf and the City: Selected Papers from the 19th Annual Conference on Virginia Woolf. Clemson UP. 

Honors & Awards

  • 2015, Nominated for Inspiring Woman Award, ÍøÆØ³Ô¹Ï
  • 2014, First Year Scholars Outstanding Faculty and Staff Award, ÍøÆØ³Ô¹Ï